Large Diaphragm Condenser Microhones
The TLM 103* is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget. By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear.
STC-1 microphones are laboratory are ideal for use on acoustic guitar and other strummed instruments (such as banjo, bouzouki, sitar, etc) as well as piano, strings, wind or brass ensemble, drumkit, choirs and backing vocals.They also sound fantastic when used as overheads or for room miking. The each have a selectable multi-polar pattern, and +10db, Flat, or -10db pad on the face.
Audio Technica AT4050
Meet the studio condenser that captures every nuance. With three switchable polar patterns, the large-diaphragm Audio-Technica AT4050 exhibits a remarkable combination of qualities: high-SPL capability with transparent and airy uppers/mids complemented by rich low-end qualities. Its dual large diaphragms are gold-vaporized and aged for consistent, outstanding performance. A precision-machined, nickel-plated brass acoustic element baffle provides rock-solid element stability and exceptional sensitivity.
AKG C214 Matched Pair
The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system. which is the patented AKG Back-Plate Technology, close to the famous C414 XLII.
Outstanding stereo recordings, require microphones with outstanding performance and excellent quality. They also require performance consistency and accurate localization from the pair of microphones. Therefore, every factory-matched pair of C214s is created from thousands of individual microphones selected by AKG‘s sophisticated computer-aided matching method. The result is the highest possible correlation over the whole frequency range and virtually identical sensitivity for stunning, three-dimensional recordings.
A single side address of it’s bigger brother. The SM27 has the same gold plated 1″ diaphragm used in the KSM44. Durable Shure construction features three separate mesh layers that reduce wind and breath noise. Equally comfortable on stage or in the studio. The SM27 is a rugged and versatile large-diaphragm, side-address cardioid condenser microphone. It has low self-noise and extended frequency response that picks up vocal and instrument nuances with clarity.
The RØDE NT1-A 1″ cardioid condenser microphone has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability typically only featured on some of the world’s most expensive microphones. With a self-noise level of only 5dBA it is widely recognised (along with the NT1) as one the world’s quietest studio microphones. This low noise makes it an ideal vocal microphone as well as perfect for recording guitars and percussion.
The P420 is a multi-pattern large diaphragm true condenser microphone for demanding project studio recording applications. Offering high sensitivity and 155dB maximum SPL, the P420 delivers a warm, transparent sound quality perfectly suited for ensemble recording, grand piano, woodwind and brass instruments, as well as drums and percussion. With three selectable polar patterns – cardioid, omnidirectional or figure 8 – it is an ideal tool for stereo miking techniques and ambient recording.
Pencil Condenser Microhones
A pencil condenser microphone. Incredible detailed transients. A nice bump in the upper register adds shimmer to acoustic guitar, cymbals, or anything with brilliant highs.
Our pair of STC-1 microphones are laboratory matched as a stereo pair and are ideal for use on acoustic guitar and other strummed instruments (such as banjo, bouzouki, sitar, etc) as well as piano, strings, wind or brass ensemble, drumkit, choirs and backing vocals. They also sound fantastic when used as overheads or for room miking.
Octava M12 Pair
Incredibly detailed, it has 2 different capsules, including cardiod or omni. Great on acoustic guitar, drum overheads, or room.
Small, light,rugged, and highly versatile. The Electro–Voice RE200 microphone is a cardioid, true condenser instrument mic designed for the exacting acoustic reproduction of choirs, strings, percussion and brass instruments in live performance and sound recordings.
Active Ribon Microhones
sE Voodoo VR2
The Voodoo VR2’s full frequency response is achieved using a clever mechanical device designed by Siwei Zou, the company CEO, and a hand-tensioned ribbon constructed by our highly specialized technicians in sE’s capsule room.
The result is a superbly detailed, open and natural recording of acoustic instruments and guitar cabs. The Voodoo’s ability to perform – coupled with its unique look – have already made it a secret weapon for thousands of players worldwidef
Shotgun Condenser Microhone
Audio Technica 897
Audio-Technica’s AT897 is designed for field audio acquisition in film/TV/video production, professional recording, wildlife recording and broadcast applications. It mounts conveniently on a DV camcorder without adding noticeable heft, and remains out of the frame even with compact digital cameras. This high-performance short shotgun offers outstanding long-distance audio pickup due to narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic.
Dynamic Instrument Microhones
DSontronics HALO dynamic microphone for guitar amps. The Sontronics HALO is a striking dynamic microphone that was designed by Sontronics’ founder and designer Trevor Coley specifically for use on guitar amps and cabinets. The HALO features a dynamic capsule suspended on a four spring mounts within a retro-design circular frame, and is the best-sounding dynamic microphone that you can put in front of your guitar cab!
Super-cardioid silver instrument microphone designed for miking guitar cabs face-on and extremely close to the source. Provides isolation from other onstage signals. Also suitable for miking drums, especially toms.
Dynamic Vocal Microhones
The SOLO has an extremely tight supercardioid pattern and gives excellent results on live vocals, guitar amps and drums, plus it works just as well in the studio as it does on stage. With superb off-axis rejection and requiring no EQ, the Sontronics SOLO is very easy to set up and use, whether you’re a live sound engineer, a gigging vocalist with your own PA or a guitarist recording amps in your home set-up.
Shure Beta 58a
Beta 58a is a fantastic stage vocal microphone.
A high-output vocal microphone, the BETA 58A features a shaped frequency response ideal for close-up vocals. Handheld microphone for professional live vocals and project studio recording. It has a dynamic cartridge with supercardioid polar pattern.. Available in wireless versions. Includes BETA 58A, microphone clip, thread adapter, storage bag, and user guide
Excellent all-around vocal performance
Crisp, clear and balancedLarge-diaphragm dynamic capsule. Creates a rich and detailed frequency response Shock-mounted capsule minimizes handling noise Low frequency bumps and thumps won’t get into the PA. Humbucking coil guards against line hum. Use with confidence near speaker cabinets and EMF-generating equipment racks. Memraflex grille resists denting. Durable tight-mesh grilles withstand extraordinarily rough treatment.
Tuned to accentuate the warmth and clarity of lead and back-up vocals, the SM58 is a legendary live vocal microphone known for its rugged reliability on tour.