Equipment List

Hardware

Universal Audio Apollo x8p Audio Interface

Elite Audio Conversion with Eight Unison Mic Preamps, HEXA Core Processing, and Surround Sound.

Focusrite Clarett OctoPre

8 Channel mic pre designed specifically for the Clarett range, with plenty of gain, yet low noise and distortion – and great sound quality.

Universal Audio Octocore

Expandable Outboard Processing Power from OCTO. UAD-2 Satellite Thunderbolt OCTO models with 8 SHARC processors, respectively.

Sound Devices MixPre-3

Record up to three tracks of external sources plus a stereo mix at up to 24-bit / 96 kHz, and route the mix to your camera or DSLR while monitoring the stereo mix or separate channels through headphones. Thanks to its handles and integrated 1/4″-20 threads, the MixPre-3 can be placed in a sound bag, attached to a camera/tripod, or even slung from a shoulder/neck strap. Excellent preamps recording in high fidelity.

Digidesign Command 8 (oldie but goodie)

Project and pro studios can either use it as their main ProTools controller, or as a remote control to add extra transport and monitoring control, not to mention MIDI connections. Mobile rigs, or smaller post-production rooms will also be a natural niche for the command 8. Touch sensitive faders.

Softube Console 1

We have 2 desks in this amazing software controller combination. A workflow beast of analog in a software controller. Softube’s modeling is amazing the SSL 4000e, Weiss Channel Strip, and over 70 UAD plugins.

Native Instruments S49 MK2

The Native Instruments Komplete Kontrol S49 MK2 MIDI controller and Komplete production suite are a potent pairing. Experience deep hardware and software integration, unlike anything else on the market.

Native Instruments Mikro MK2

The best finger drum pads on the market! Compact groove production system for tactile, creative beat making with an acclaimed sound library.

Rolls RA53B Headphone Amplifier

The Rolls RA53B is a 5-channel, 1/2 space, rackmountable stereo headphone amplifier featuring 1/4″ TRS and 1/8″ stereo mini simultaneous outputs for each channel.

Furman PL-8C, and Livewire Rackmount Surge Protector

The Classic Series from Furman brings together superior protection and outstanding performance in a sturdy, rack-mountable design.

Whirlwind 12 channel 50 ft snake

The Whirlwind MINI-12 drop snake is an ideal solution for cleaning up your cable runs in the studio or onstage. 

DR Pro tripod telescoping boom mic stands

This is a basic tripod microphone stand with a telescoping boom. The boom is 19″ and extends to 31″. It is height adjustable from 40″ to 69″. The tripod legs open up to 25″ on each side.

Mogami Gold Neglex Quad Microphone Cable for Studio

Nothing but the best, and plenty to go a round in various lengths, for hi-fidelity multitrack sessions of full bad.

OUTBOARD

Warm Audio WA273EQ Dual channel British mic pre + EQ

If there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for decades, it would most definitely be the venerable ’73-style of mic pre. 

Chameleon Labs 7802 Dual Tube + Optical Compressor

The Chameleon Labs 7802 stereo optical tube compressor defies all convention, giving you fantastic range of possibilities. The tube allows you to add in harmonics, and it is great on the inserts of the WA273eq, a match made in heaven! Great for voice, drums, and well most instruments with the proper settings.

MICROPHONES

Large Diaphragm Condenser Microphones

Neumann TLM103

The TLM 103* is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.

Audio Technica AT4050

Three switchable polar patterns, the large-diaphragm Audio-Technica AT4050 exhibits a remarkable combination of qualities: high-SPL capability with transparent and airy uppers/mids complemented by rich low-end qualities.

Blue Baby Bottle SL Large-diahragm

This microphone imbues richly present midrange, smooth top end, and neutral bottom into whatever you put it in front of. Capture warm vocals, lend presence to electric guitars, and add richness to acoustic guitars.

Large Diaphragm Tube Condenser Microphone

Sterling ST69 Tube Microphone (Modded circuitry to replicate similar results to that of a U67). Absolute detail, Omni mode is incredibly open and breathy. Incredible on most vocals!!

Small Diaphragm Condenser Microphones

Charter Oaks M900 Matched Pair

Small Diaphragm Multi Pattern Condenser. omni, cardioid and hyper cardioid pencil microphones (matched pair). Incredibly detailed. Great on all sources.

Octava M12 Pair

They have 2 different capsules, including cardiod or omni. Great on acoustic guitar, drum overheads, or room.

MXL C603

Small diaphram microphone… It works on most sorces, but is more of a color option that a choice for detail.

Boundary Condenser Microphone

Shure Beta 91a

Kick Drum microphone/ or in the back of an amplifier. I have found great uses for this microphone.

Active Ribon Microhones

sE Voodoo VR2

The Voodoo VR2’s full frequency response is achieved using a clever mechanical device designed by Siwei Zou, the company CEO, and a hand-tensioned ribbon constructed by our highly specialized technicians in sE’s capsule room. Great on electric guitar or anything with transparency.

Shotgun Condenser Microhone

Audio Technica 897

Audio-Technica’s AT897 is designed for field audio acquisition in film/TV/video production, professional recording, wildlife recording and broadcast applications.

Large Diaphragm Dynamic Microphone

Electrovoice RE20

Large diaphragm dynamic Microphone. Used in most broadcast studios for incredible voicework. Also great on kick drum, snare drum, and anyt 

Dynamic Instrument Microphones

Shure SM57

Dynamic Microphone with Cardioid Pickup Pattern, 40Hz-15kHz Frequency Response, Low Impedance

AKG D1000E

This is a dynamic microphone with a fixed Cardioid polar pattern and a three-position voicing switch that provides two alternate voices for the microphone. 

Dynamic Vocal Microphones

Shure Beta 58a

Beta 58a is a fantastic stage vocal microphone. A high-output vocal microphone, the BETA 58A features a shaped frequency response ideal for close-up vocals. 

ElectroVoice ND76

Excellent all-around vocal performance. Crisp, clear and balancedLarge-diaphragm dynamic capsule. Creates a rich and detailed frequency response Shock-mounted capsule minimizes handling noise Low frequency bumps and thumps won’t get into the PA. 

Shure SM58

Tuned to accentuate the warmth and clarity of lead and back-up vocals, the SM58 is a legendary live vocal microphone known for its rugged reliability on tour.